Neo-Romanian style wall lamps designed by architect Ion Mincu

Neo-Romanian style wall lamps designed by architect Ion Mincu, Monteoru House, 1889, Bucharest (©Valentin Mandache)

The exquisite pair of lamps, presented in the images of this post, adorn the monumental doorway of Monteoru House in Bucharest, a grand boyar (the Romanian term for “aristocrat”) mansion, built in a French flavour Beaux Arts style. The edifice lines up Calea Victoriei Boulevard, a thoroughfare that is traditionally among the prime streets of Romania’s capital. The lamps belong to the early phase of the Neo-Romanian style, designed, in my opinion, by the architect Ion Mincu, under whose direction the building was radically remodelled, works finalised in 1889.

Neo-Romanian style wall lamp designed by architect Ion Mincu, Monteoru House, 1889, Bucharest (©Valentin Mandache)

What makes me to attribute these lamps to Mincu, are two elements that betray his manner of design. The most conspicuous is constituted by the “spikes” embellishing the artefact like an out of the normal proportion crown. The other element is the shape of each of the lamp’s windows.

Neo-Romanian style wall lamp designed by architect Ion Mincu, Monteoru House, 1889, Bucharest (©Valentin Mandache)

I noticed during my fieldwork at Ion Mincu’s houses in Bucharest, his tendency to design certain architectural elements, especially those placed on the edges of an edifice or of other major components, as out of the usual proportions, like looking at them through a magnifying glass. Such examples are the spikes adorning the rainwater troughs of Lahovay House (1886 – the first Neo-Romanian style building), or the ornamental “spikes” adorning the street fence in front of Central School for Girls (1890). That tendency is also mentioned in Mincu’s biography written by Mihail Caffe (Editura Stiintifica, 1960), as regards the appearance of his sketches. The out of normal optics lamp “spikes” shown here are in that vein, which in my opinion divulge their author.

The second Mincu element discussed here, the shape of the lamp window, is designed like a miniature church doorway, modelled after examples found at Curtea de Arges cathedral and Coltei Church in Bucharest. Mincu uses this type of window for his masterly work of interior design at Constanta Bishopric Cathedral (1895), on the Romanian Black Sea shore.

Neo-Romanian style wall lamps designed by architect Ion Mincu, Monteoru House, 1889, Bucharest (©Valentin Mandache)

The lamps through those characteristics, which I attribute to Ion Mincu, have a striking aspect, certainly drawing the attention of visitors and passerby, and giving a plus of personality to Monteoru House, one of the landmark architectural edifices of Bucharest. This type of design was later used by other architects, many former students of Mincu, for some of the most prestigious Neo-Romanian style buildings that are still embellishing the city.

iPhone photo of the day: dragon lamp

Image from last Sunday’s walking tour which I organised in Gradina Icoanei area of Bucharest. It is a wall lamp representing a fearsome dragon, which through the fire flames billowing out of its mouth suggest its role as a light appliance, acting also as the symbolic protector of the family living in that house. The artefact and the building are designed in what I term as the fairytale castle style architecture, popular in Bucharest and other large Romanian towns during the prosperous period of the late 1930s.

Dragon wall lamp, late 1930s fairytale castle style architecture, Icoanei area, Bucharest (©Valentin Mandache)