I would like to invite you to an after working hours walking tour, this Thursday 11 August 2016, between 18.30h – 20.00h, on the subject of the Art Deco and inter-war Modernist buildings of Bucharest. The tour may be of interest to any of you visiting the city as a tourist or on business, looking to find out more about its fascinating historic architecture and identity.
The Art Deco style, which emerged during the “roaring ’20s” and became a global phenomenon in the 1930s was the first truly international architecture, embraced with gusto by the Bucharest people and the rest of urban Romania. The city became in those years a veritable Art Deco architectural regional “power“, embellished with high quality edifices in this style, many of which are still around, for us to admire and examine, despite the terrible historical upheavals of the last eight decades in this part of Europe. A favorite Art Deco theme in Bucharest was that of the ocean liner, reflecting the longing of the inter-war locals to travel to exotic places in the southern seas, far away from the Continue reading Tour: Art Deco and Modernist Bucharest→
You are cordially invited at the next Historic Houses of Romania – drinks” event, the end of 2015 edition, scheduled to take place this Thursday 17 December at The Harp pub, starting with 6.30pm. This is a get together for those of you who follow my blog, Facebook, Instagram, Twitter pages, or participate at the architectural tours, thus fostering a sense of community for those appreciating the built heritage of Bucharest and Romania, and continue discussing at such gatherings on old houses, their architecture, history and economic potential and uses, in an informal and friendly atmosphere.
The pub is located in Unirii Square of Bucharest, close by the exit for Unirii Square tube/ metro station, on Cantemir Blvd. By clicking the following links you can access its Continue reading HHR drinks at The Harp→
The photo-collage above is composed by building inauguration year panels rendered architecturally, encountered by the author of this blog on edifices dating from a multitude of historical epochs in Bucharest and other locations in Romania. I used the illustrations as cover photographs for the Historic Houses of Romania – Case de Epoca’s Facebook page. I usually present to the readers a cover photo per week, and the ones here are those scheduled for the first ten weeks of 2014. To find out details about the significance of those years and the buildings hosting them, you can click the links listed below. The links are arranged in the same scheme as the architecturally rendered years mentioned in the collage.
Although today in Bucharest the temperatures were hovering around -12 centigrades, being freezing cold and blowy, my spirit, at least, was warmed up by a visit to an Art Deco style apartment that in part evoked much warmer climates and sunnier lands, a theme often encountered in this town’s Art Deco architecture.
The interior of the dwelling does not have much left from its original features, except the doors. The original wall and ceiling mouldings, the 1930s windows, bathroom and kitchen tiles and fittings, were replaced in the last few years by the owner, a “young artist”, who judging from the results of her misguided effort, is in fact is a typical Romanian period house proprietor, nurturing arrogant dreams about the money value of their real estate, but completely oblivious regarding its artistic and heritage worth. The doors remained in place, presumably because the owner ran out of money, splashed on the other “improvements”, otherwise I would have seen plastic made portals bought triumphantly from a DIY shop.
The main door, pictured above, is a composition of panels displaying at its centre the rule of three, typical of the Art Deco, with the others arranged around in a gamma cross array, a cosmic motif that I encountered quite frequently in the ornamentation pertaining to this design in the Bucharest of the fourth decade of the c20th, associated usually with the nazi movement, which I believe was not the case here, as the block where this apartment belongs, was inhabited by Jewish families. The door’s lower register contains two overlapping semicircles, signifying the rising and setting sun of the southern seas.
The apartment block dates from the mid-1930s and is located in Matei Basarab area, the architect being B. Zilberman, a designer with numerous commissions in that quarter, which in that period had a large Jewish population. His name and the fact that he is a graduate of the architectural school in Milan are proudly displayed in a name tablet on one of the exterior walls of the building.
The bedroom door, seen in the third photograph, was narrower, but of wonderful proportions, preserving the gamma cross motif made from panels radiating a central window made from six openings. The lower register in this instance was embellished with three horizontal bars, according to the rule of three mentioned above.
I like the three steps motif decorating the panel overhead the dressing room door, clearly enlivening the rest of the bedroom and diminishing the sense of weight generated by the unfortunate choice of wall colour by the contemporary owner.
These doors, survivors from happier times in the brave new world of Romania’s post-communist society, are important for the local architectural identity and also worth some money, even if the locals do not realise that yet. My hope is that the citizens of Bucharest and the country will start recovering through those witnesses their civic pride and appreciate the creations of their forebearers, who were certainly more sophisticated than their descendants.
Among the hidden architectural gems of Bucharest are the Modernist creations of Marcel Iancu (also spelt Janco or Janko), the culture polymath active on the architectural scene of Romania’s capital in the 1920s and the 1930s. Iancu’s buildings encompass his conceptions of art ranging from surrealism, as he was one of the foreruners of that current, Soviet inspired constructivism, functionalism to cubism, Bauhaus or expressionism. The Frida Cohen House, an apartment block, the amplest edifice designed by Iancu, exhibits many of those traits and for me is a delight to continuously discover new such elements with each visit I make there.
The constructivist and cubist features are obvious when analysing the exterior outlines and volumetry of Frida Cohen building, yet equally if not more fascinating patterns reveal themselves once one steps into the entrance hallway.
Remarkable in my opinion is the floor with its grey and black tiles, arranged in a modern painting like figure, in the vein of the De Stijl artistic movement, where the forms although lack simple symmetry, as one would expect in an architectural design, nevertheless achieve a sense of balance through their inner kinetics.
The main staircase of this noteworthy building is also a case in point, this time as an example of constructivist design, where the profile of the apparently utilitarian device is an equilateral triangle, a basic geometrical shape, seen, as other fundamental forms, within the Constructivist movement as a pure pattern. The staircase reminds me of one of Iancu’s celebrated affirmations that “the purpose of architecture was a “harmony of forms”, with designs as simplified as to resemble crystals” (Tom Sandqvist, p. 342). To me the crystal suggested by the stairwell contour is undoubtedly a diamond (the tetrahedron of Carbon atoms), which is a metafora for perfect harmony in itself.
Every single creation of Marcel Iancu is, as in the samples illustrated above, brimful with meanings and symbols pertaining to the the emergence and maturation of the first Modern artistic currents, fostered by epoch making social and economic changes in the period that led up to the Great War and its aftermath decades, a fertile and effervescent period of which Bucharest benefited through the agency of such a hugely talented personality.
Historic Houses of Romania – Case de Epoca is looking for volunteers: I am designing two new Bucharest architectural tours (Royal and Muntenian/ Brancovan themes) and would welcome participants for the following mock/ rehearsal tours (free of charge, of course):
Tuesday 21 January, the Royal theme, meeting at 11.30h (duration 2h) in front of Carol I statue, Revolution Square,
Wednesday 22 Jan., Brancovan theme, meeting at 11.30h (duration 2h) in front of the entrance of Municipal Museum – Sutu Palace.
You need to be physically fit for a walk in town, on a distance of 5km. The participants are welcome to actively engage with the expert in historic houses and ask questions you consider relevant to the tour theme.
Valentin Mandache, Historic Houses of Romania – Case de Epoca
The WordPress.com stats helper monkeys prepared a 2013 annual report for this blog.
Here’s an excerpt:
The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 41,000 times in 2013. If it were a concert at Sydney Opera House, it would take about 15 sold-out performances for that many people to see it.
I like the historic foot mud scrapers and the contribution they bring to the overall aesthetics of a period building, although they represent a very practical device affixed prosaically on the side of a doorway. Here is an interesting example that I photographed on the steps of the Orthodox Metropolitan Cathedral in Sibiu, old Saxon Transylvania. It dates from the beginning of the 20th century and its sphinxes must have seen a lot of feet in the meanwhile. Looking at the wear of the blade, I reckon that perhaps over half a million people used it in the last century and a decade.
Diana and I would like to invite you to the new conference from the already traditional series inaugurated last year at the Liberal Cafe in Bucharest, on the royal and architectural history of Romania.
The subjects this year are the following:
Diana Mandache: “King Michael as a school pupil: curriculum, marks, fieldtrips”
Valentin Mandache: “Eastwell Manor: the birthplace of Queen Marie”
The event is organised by the National Liberal Party’s Bloggers’ Club, and is scheduled to take place on Wednesday 15 January, starting at 6.30 pm (The Liberal Cafe: 9, Doamnei Street, Lipscani quarter, just across the road from the National Bank).
There will be shown and discussed photographs and period newsreel footage about the school pupil Michael, from the Regency period and then as a Crown Prince, and architectural photographs of Eastwell Manor, images of Queen Marie during her childhood and as an adult visiting her birthplace, and how these formative years in such significant circumstances and environments influenced those two royal figures later in their life.
The Bloggers’ Club of the National Liberal Party and the presenters are looking forward to welcoming you at the conference!